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Current


Toril Johannessen
SKOGSAKEN (The Forest Case)

Coming up


Lina Viste Grønli
Nye skulpturer


Maria Brinch
Inya Lake


Exhibitions
— 2019



Marysia Lewandowska It’s About Time (in Venice Biennial)


Films by
Mai Hofstad Gunnes



Isme Film
Collectively Conscious Remembrance



Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high



Exhibitions 
— 2018



Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic
Reenactment/Process
Reprise/Response


Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum


Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm, This is How We Walk on the Moon,
Magical World


Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
Orientering 
—  a group show in public space


Jon Rafman
Dream Journal
2016-2017


Goutam Ghosh &
Jason Havneraas
PAARA

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

Exhibitions
— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work


Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping Counter-Clockwise

Pedro Gómez-Egaña
Pleasure

Ane Graff
Mattering Waves


Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger


Exhibitions
— 2016


ALBUM
Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen
Stimulus

Sinta Werner
Vanishing Lines

Exhibitions
— 2015


Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color


Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects


Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan
Collision

Steinar Haga Kristensen
The Fundamental Part of Any Act

Exhibitions
—2014


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck


Mathijs van Geest
The passenger eclipsed the object that I could have seen otherwise

Marit Følstad
Sense of Doubt

Oliver Laric
Yuanmingyuan3D

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

Exhibitions
— 2013


André Tehrani
Lost Allusions


Pedro Gómez-Egaña
Object to be Destroyed


Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour


Azar Alsharif
The distant things seem close (…) the close remote (…) the air is loaded


Magnhild Øen Nordahl
Omar Johnsen
Trialog

Lars Korff Lofthus
New Work

Exhibitions
— 2012


Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for Something / Double Described Tautologies

Kjersti Vetterstad
Lethargia

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

Exhibitions
— 2011


Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland
U.T.

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

Exhibitions
— 2010



Michael Johansson
27m3

Tone Wolff Kalstad
This Color Is Everywhere


Knud Young Lunde
Road Show Event Plan


Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between


Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Mart
Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Gandt
Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion


Serina Erfjord
Repeat


Mattias Arvastsson
Presence No.5


Malin Lennström-Örtwall
It`s like Nothing Ever Happened

Exhibitions
— 2009


Tor Navjord
FM/AM

Ragnhild Johansen
Erased Knot Painting


Entrée Radio


Lewis and Taggart
Ledsagende lydspor


In Conversation:
Gómez-Egaña and Mathijs van Geest


In Conversation:
Andrew Amorim and Mitch Speed


In Conversation:
Ane Graff and Alex Klein


In Conversation:
Martin Clark and Daniel Kelly


Ludo Sounds with
Tori Wrånes




In Conversation:
Stine Janvin Motland, Kusum Normoyle, Mette Rasmussen, Cara Stewart



Randi Grov Berger
Contact/Info/CV
Other projects







Mark
February 28th- April 22nd, 2017

Ane Graff

Mattering Waves


Independent
2037 Fifth Ave.
New York




Ane Graff, Mattering Waves (4), 2017
Walnut and iron rust dyed silk gloves, bismuth, hand blown glass vessels filled with polymer, dust, soil, lepidolite mineral and human DNA, epoxy with mixed plant-, copper- and synthetic pigments, acrylic and MDF base
44 x 53 x 66 cm



And the hand is involved. It reaches forward, towards the sludged blackness of compressed water plants, of previously hovering beetles with veined wings, of crisscrossing branches perched in mid-air, of shifting periods defined by sudden dampness or cold, of synergies of soil and rocks and languid movements. The liquid pools on the floor in shiny sticky echoing rainbow ringlets of light: the light of circular, compressed time and interlaced narratives. It smells: the pungent, metallic scent of petroleum and others.*



In “Mattering Waves”, Ane Graff presents a new body of sculptural works that poetically engage issues of identity, touch and growth. Graff, inspired by feminist science studies scholars such as Karen Barad and Donna Haraway, is interested in bringing forward the complexity and relational nature of matter – the awareness that matter is never one thing, but rather a multitude of elements entangled in a network of relations. Her sculptural work combines diverse components in a series of mutually affecting, reactive processes in which the materials change through – and with – each other. In her work, the consequences of identity and growth are rendered unknowable, and touch is materialized. Growth is no longer a linear phenomenon, but instead a series of entangled interactions – a coming into existence through complex connectivity. Underscoring issues of our time – the current man-made ecological crisis and its unknown outcomes – Graff shows us a reconfigured materiality that incorporates the human touch.

Ane Graff (b. 1974, Bodø, Norway) lives and works in Oslo. She graduated from the Bergen National Academy of the Arts in 2004 and currently holds the position of Research Fellow at the Oslo Academy of Fine Art. Her work is currently on view at Henie Onstad Kunstsenter, Oslo, in the exhibition “Myths of the Marble” (upcoming at the Institute of Contemporary Art, Philadelphia). Recent exhibitions include “The Eighth Climate (What Does Art Do?)”, the 11th Gwangju Biennale, South Korea, and ”Surround Audience - the 2015 New Museum Triennial”, New York City.



Entrée is taking over the second floor at Independent’s Fifth Avenue property in Harlem and presents the two inaugural solo exhibitions part of the brand new Independent's Gallery Residency Program, both exhibitions opens Tuesday February 28th at 6pm.

On Saturday March 4th at 4pm we invite you to listen in on a conversation between the artist Ane Graff and invited guest, curator Alex Klein, from ICA Philadelphia.





Ane Graff, Mattering Waves (5), 2017
Melted glass bottles with salt and copper powder growths, epoxy with fired dolomite mineral and mixed plant, copper and synthetic pigments, acrylic and MDF base
22 x 48.5 x 62.5 cm







Ane Graff, Mattering Waves (2), 2017
Rose quartz with clay earth and fluorescent pigments, avocado and iron rust dyed t-shirt neckband with pieces of fossilized wood, acrylic and MDF base
23 x 48.5 x 62.5 cm








Ane Graff, Mattering Waves, Install view at Independent, New York







Ane Graff, Mattering Waves (1), 2017
Copper and alum salt growths on fired white granite pebbles in clay, mixed plant-, copper- and synthetic pigments, acrylic and MDF base
21 x 48.5 x 62.5 cm







Ane Graff, Mattering Waves (7), 2017
Hand blown glass vessel filled with polymer, dust, soil, human DNA and copper powders, and walnut dyed textile, acrylic and MDF base
22 x 53 x 62.5 cm







Ane Graff, Mattering Waves, Install view at Independent, New York







Ane Graff, Mattering Waves (6), 2017
Ceramic element made of fired clay with copper powder, powdered quartz and glass, juniper berries, blackberries and iron oxide, bismuth, felt, acrylic and MDF base
22 x 48.5 x 62.5 cm








Ane Graff, Mattering Waves (3), 2017
Epoxy and pigment covered hand-blown glass vessel filled with a mixture of polymer, dust, soil and human DNA, gallium, epoxy with mixed plant-, copper- and synthetic pigments, acrylic and MDF base
31 x 48.5 x 62.5 cm



* Text by Ane Graff

The exhibitions are made possible with support from Office for Contemporary Art Norway, Norwegian Consulate General New York, City of Bergen and Art Council Norway.



Press:




ArtReview
Molecular Dramas
By Maria Lind



06.04.2017
Art Viewer
Ane Graff at Entrée

31.03.17
Kunstkritikk
Arnesteder for ambisjon
Av Stian Gabrielsen



13.03.2017
Avisa Nordland
Ane skaper bølger i Harlem
Av Emil L. Mohr




Mark